Serge Gainsbourg - Histoire de Melody Nelson (1971)

From allmusic (4.5/5):

"You don't need to speak a word of French to understand Histoire de Melody Nelson — one needs only to look at the front cover (with its nearly pornographic portrait of a half-naked nymphet clutching a rag doll) or hear the lechery virtually dripping from Serge Gainsbourg's sleazily seductive voice to realize that this is the record your mother always warned you about, a masterpiece of perversion and corruption. A concept record exploring the story of — and Gainsbourg's lust for — the titular teen heroine, Histoire de Melody Nelson is arguably his most coherent and perfectly realized studio album, with the lush arrangements which characterize the majority of his work often mixed here with funky rhythm lines which underscore the musky allure of the music. Perhaps best described as a dirty old bastard's attempt to make his own R&B love-man's record along the lines of a Let's Get It On (itself still two years away from release), it's by turns fascinating and repellent, hilarious and grim, but never dull — which, in Gainsbourg's world, would be the ultimate (and quite possibly the only) sin."

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Also:
Serge Gainsbourg - N°2 (1959)
Serge Gainsbourg - L'étonnant Serge Gainsbourg (1961)
Jane Birkin et Serge Gainsbourg (1969)
Serge Gainsbourg - L'Homme à Tête de Chou (1976)

Jane Birkin et Serge Gainsbourg (1969)

nlm1984's review on RYM (4.5/5):

"As I was playing this album just last night, my mother asked me the name of the title track, the first cut. I told her "Je t'aime... Moi, Non Plus" or, loosely translated, "I Love You... Nor Do I." She gave me the crook eye and asked, "Wasn't that a banned song?!" "Why yes, it was," I replied. That song raised the ire of The Vatican. Well, I must say that my mother surprised me. I had no clue she knew one Gainsbourg song.

Now, to the album itself. As the majority of this album was recorded a Londres, it carries an aire of its time. It's very charming!

The classic title track: Fantastic arrangement for being a C-F-G chord song. I, personally, love the organ and string arrangement. His version with Bridgitte Bardot is all the more better, as it's mix is re-structured with the orchestra in the fore. "Je vais et je viens/ entre te riens" I go and I come/ between your kidneys.

Speaking of organs, L'anamour or Non-love, features some of the best sounding Hammond B-3 organ ever recorded.

The guitar on this album is nice an clean, manipulated only on occasion by a stray wah-wah peddle. This effect is found in the precious Orang-Outan. J'aime ma poupeé orang-outan! En anglais, I love my toy monkey. This monkey is featured on the album cover of L'histoire de Melody Nelson. This monkey is also one of the sources of Jane's tears in the song Je Suis Venu Te Dire Que Je M'en Vais from 1973.

Soixent-neuf, Anneé Erotique is another stand-out. '69 the erotic year. Serge always loved his play of words. Just use your imagination as to what that means. This cut also features a delightful arrangement; bass-driven, orchestra, vibes, peddled-out piano.

Les Sucettes, features a very English arrangement. Written for France Gall in '65, Serge reclaims this suggestive work. Great!

This album is a masterpiece. This is an album that should be owned by everyone, yet thankfully isn't. If you can appreciate this, consider yourself lucky."

Get it here.

Also:
Serge Gainsbourg - N°2 (1959)
Serge Gainsbourg - L'étonnant Serge Gainsbourg (1961)
Serge Gainsbourg - L'Homme à Tête de Chou (1976)

Scott Walker - Scott 2 (1968)

From allmusic (4.5/5):

"Although Walker's second album was his biggest commercial success, actually reaching number one in Britain, it was not his greatest artistic triumph. His taste remains eclectic, encompassing Bacharach/David, Tim Hardin, and of course his main man Jacques Brel (who is covered three times on this album). And his own songwriting efforts hold their own in this esteemed company. "The Girls From the Streets" and "Plastic Palace People" show an uncommonly ambitious lyricist cloaked behind the over-the-top, schmaltzy orchestral arrangements, one more interested in examining the seamy underside of glamour and romance than celebrating its glitter. The Brel tune "Next" must have lifted a few teenage mums' eyebrows with its not-so-hidden hints of homosexuality and abuse. Another Brel tune, "The Girl and the Dogs," is less controversial, but hardly less nasty in its jaded view of romance. Some of the material is not nearly as memorable, however, and the over-the-top show ballad production can get overbearing. The album included his first Top 20 U.K. hit, "Jackie.""

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